25,075 Royalty-Free Audio Tracks for "Midi Files Of Music By Johann Sebastian Bach"

Song: "Claveles mendocinos".- Author: Alfredo Pelaia (1888-1942).- Interpreter: Singers: Carlos Gardel & José Razzano; guitars: José María Aguilar & Guillermo Barbieri (leader guitar).- Record: Odeón 18801 5155/1, Buenos Aires, 31/DEC/1929. Tema: "Claveles mendocinos".- Autor: Alfredo Pelaia (1888-1942).- Interprete: Cantores: Dúo Carlos Gardel & José Razzano; guitarras: José María Aguilar & Guillermo Barbieri (1ra guitarra).- Grab.: Odeón 18801 5155/1, Buenos Aires, 31/DIC/1929.

Song: "Sus ojos se cerraron".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor BVE-89225/1, New York, 19/MAR/1935. Tema: "Sus ojos se cerraron".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor BVE-89225/1, 19/MAR/1935.

Song: "Recuerdo malevo".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon 18885 7350/1, 22/02/1933 Buenos Aires Tema: "Recuerdo malevo".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Guitarras Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon 18885 7350/1, 22/02/1933 Buenos Aires

Song: "La mañanita".- Author: Carlos Gardel (1890-1935).- Interpreter: Singer: Carlos Gardel.- Record: 1912; published: Columbia, T594, Side A, Buenos Aires, 1913. Tema: "La mañanita".- Autor: Carlos Gardel (1890-1935).- Interprete: Cantor: Carlos Gardel.- Grab.: 1912; publicado: Columbia, T594,Lado A, Buenos Aires, 1913.

Song: "Mi Buenos Aires querido".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32189 Bs83559, 30/JUL/1934. Tema: "Mi Buenos Aires querido".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32189 Bs83559, 30/JUL/1934.

Song: "Cheating muchachita (Amargura)".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Carlos Gardel- Record: Victor, 89233/1, 1934.

Octave on C. 1/2: 1200 cents.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

My Thoughts, 1930 Australian Aboriginal spiritual by Tom Foster (1870–1940), Tharawal Australian Aboriginal with sample drum beat – all rights waived

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Perfect octave on D-sharp, as MIDI.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

Beethoven: Piano Concerto No. 4, slow movement

Schubert, String Quintet in C, final bars.

Freut euch des Lebens

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Am Ölberg in nächtlicher Stille, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 766

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone row from Stockhausen's Klavierstück IX.

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

John Jacob Jingleheimer Schmidt

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Tone proportions of Studie I. I took F♮ as the starting point.

Prime row form from Stravinsky's Requiem Canticles.

Tone row with Schoenberg's initials preceded by remaining four notes.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Giulio Caccini: Amor che attendi.

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

Utwór "ARFA ZE SZCZYTU CHORU" z "Dramatu Akropolis część muzyczna", autor partytury: Bolesław Raczyński.

Purdie shuffle variant. Created by Hyacinth (talk) 01:56, 30 October 2010 using Sibelius 5.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

Rosanna shuffle.

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

Wagner - Tannhauser, Zu dir wall'ich.

Purdie shuffle variant. Created by Hyacinth (talk) 16:33, 1 November 2010 using Sibelius 5.

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

Synthesized MIDI rendering of chanson "Belle bonne sage" by Baude Cordier, early 15th century, after manuscript File:CordierColor.jpg

Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.

1908 recording of Aleksander Läte's Kuldrannake. Tartu Üliõpilaste meeskvartett.

1939 recording of Aleksander Läte's Kiigelaul. Elsa Maasik (voice) and Olav Roots (piano).

1937 recording of Aleksander Läte's Tütre tänu. Jenny Siimon (voice) and Elsa Avesson (piano).

1928 recording of Aleksander Läte's Kuldrannake. Tallinna Meestelaulu Selts.